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Kirk Douglas

Biography

From Wikipedia, the free encyclopedia.

Kirk Douglas (December 9, 1916) is an American stage and film actor, film producer and author. His popular films include Champion (1949), Ace in the Hole (1951), The Bad and the Beautiful (1952), Lust for Life (1956), Paths of Glory (1957), Gunfight at the O.K. Corral (1957) Spartacus (1960), and Lonely Are the Brave (1962).

He is #17 on the American Film Institute's list of the greatest male American screen legends of all time. In 1996, he received the Academy Honorary Award "for 50 years as a creative and moral force in the motion picture community."

Description above from the Wikipedia article Kirk Douglas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Acting
Person FactsKnown Movies: 59
Birthday: 1916-12-09
Place of Birth: Amsterdam, New York, USA
Adult Actor: False
Official Homepage: -

Also Known As

No alternative names entered.
Acting
2008
2004
Illusion … Donald Baines
2003
It Runs in the Family … Mitchell Gromberg
2000
Diamonds … Harry Agensky
1994
Greedy … Uncle Joe McTeague
1991
Oscar … Eduardo Provolone
1986
Tough Guys … Archie Long
1983
Eddie Macon's Run … Carl 'Buster' Marzack
1982
The Man from Snowy River … Harrison / Spur
1982
Dead Men Don't Wear Plaid … (in "I Walk Alone") (archive footage)
1981
Home Movies … Dr. Tuttle
1980
Saturn 3 … Adam
1980
The Final Countdown … Capt. Matthew Yelland
1979
The Villain … Cactus Jack
1978
Holocaust 2000 … Robert Caine
1978
The Fury … Peter Sandza
1976
Victory at Entebbe … Herschel Vilnofsky
1975
Posse … Howard Nightingale
1973
1973
1972
Un uomo da rispettare … Steve Wallace
1971
A Gunfight … Will Tenneray
1970
There Was a Crooked Man... … Paris Pitman, Jr.
1969
The Arrangement … Eddie Anderson
1968
The Brotherhood … Frank Ginetta
1967
The Way West … Sen. William J. Tadlock
1967
The War Wagon … Lomax
1966
Paris brûle-t-il? … General Patton
1966
Cast a Giant Shadow … Col. David 'Mickey' Marcus
1966
The Heroes of Telemark … Dr. Rolf Pedersen
1965
In Harm's Way … Commander Paul Eddington, Jr.
1964
Seven Days in May … Col. Martin 'Jiggs' Casey
1963
The List of Adrian Messenger … George Brougham / Vicar Atlee / Mr. Pythian / Arthur Henderson
1962
Lonely Are the Brave … John W. "Jack" Burns
1960
Spartacus … Spartacus
1959
Last Train from Gun Hill … Marshal Matt Morgan
1959
1958
The Vikings … Einar
1957
Paths of Glory … Col. Dax
1957
Gunfight at the O.K. Corral … Dr. John 'Doc' Holliday
1956
Lust for Life … Vincent Van Gogh
1955
Ulisse … Ulysses
1955
1955
The Indian Fighter … Johnny Hawks
1954
1952
The Bad and The Beautiful … Jonathan Shields
1952
The Big Trees … Jim Fallon
1952
The Big Sky … Jim Deakins
1951
Along the Great Divide … Marshal Len Merrick
1951
Ace in the Hole … Chuck Tatum
1951
Detective Story … Det. James 'Jim' McLeod
1950
Young Man with a Horn … Rick Martin
1950
The Glass Menagerie … Jim O'Connor
1949
A Letter to Three Wives … George Phipps
1949
Champion … Michael 'Midge' Kelly
1949
My Dear Secretary … Owen Waterbury
1948
I Walk Alone … Noll 'Dink' Turner
1947
Out of the Past … Whit Sterling
1947
Morning Becomes Electra … Peter Niles
1946
Directing
1975
Posse … Director
Production
1960
Spartacus … Executive Producer
 
Paths of Glory … Producer
 
 
 
Burt Lancaster senses that they may be in trouble.

Dink tells Frankie that their 50-50 agreement was based on their partnership in the Four Kings, not on anything future. Dave brought Frankie a lot of things to sign in prison that he didn't read very carefully, and one of them was a dissolution of his partnership in the Four Kings. After closing costs, plus 6% interest compounded over 14 years, there's $2,912 Frankie has coming to him. Dink makes it an even $3,000 and wishes him well. Frankie wants half of everything Dink has, but Dink doesn't think Frankie's entitled to anything Dink earned on his own after the Four Kings closed down. "How can you collect on a race when you don't hold a ticket?" Dink asks Frankie rhetorically.

This confrontation occurs about two-thirds of the way through the film, and it's a great sequence. Burt Lancaster was a former acrobat and circus performer, and he was always wonderful at using his body. When he finally realizes how little he can do to get what he wants from Dink, he stands alone in the middle of Dink's conference room, his fists balled, bent over in anguish.

I Walk Alone was directed by Byron Haskin and produced by Hal B. Wallis. The screenplay is by Charles Schnee, and it's based on the play Beggars Are Coming to Town by Theodore Reeves.

It's not a bad film, but it's not good enough to be called a classic. Part of the problem is that it too often strays from its most compelling feature, the snarling macho men at its center who oppose each other. I was really caught up in the story when Dink denies Frankie his half and Frankie vows to kill him, but then the story veers into less interesting territory. Where does Dave's loyalty lie? What does Dink have over Dave? Will Dave be able to break free? Does Kay really love Frankie? And so on.

Lancaster and Douglas are both outsized personalities who dominate the screen. By the time things come to a head two-thirds of the way through the film, the picture might have been more compelling if it focused solely on them and their head-to-head conflict, instead of spinning off a variety of plot threads.

The film ends with a shootout in a darkened room that we've seen a hundred times before and will probably see a thousand times again. Like everything else in the film, it's not terrible, but it's too run-of-the-mill to be truly outstanding.

I Walk Alone is definitely worth seeing if you're a die-hard fan of either of the two lead actors, and worth a look for film noir fans who've never seen it. If, however, you're looking for something truly great, I Walk Alone never quite rises above the level of entertaining mediocrity.


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