A Depression Art Gallery
![]() Robert Minor. Pittsburgh (1916) Source |
![]() Robert Minor, Morgan, Mellon, and Rockefeller (c. 1922) Source |
![]() Thomas Hart Benton, Boomtown (1928) Memorial Art Gallery, University of Rochester |
![]() Louis Lozowick, Hanover Square (1929) Smithsonian Art Museum Source |
![]() James N. Rosenberg, Oct 29 Dies Irae ("Days of Wrath"), 1929 Source |
![]() Edward Hopper, Railroad Sunset (1929) Whitney Museum of American Art Source |
![]() Louis Lozowick, Brooklyn Bridge (1930) Smithsonian American Art Museum Source |
![]() Raphael Soyer (1899-1987), Furnished Roomn.d., etching 7 by 8 3/4 in. Sheldon Memorial Art Gallery and Sculpture Garden, Univ. of Nebraska-Lincoln U.S. Government WPA Allocation Source |
![]() Mabel Dwight, In the Crowd (1931) Source |
![]() Mable Dwight, Banana Men, n.d. Source |
![]() Clare Leighton, Loading (1931) Source |
![]() Diego Rivera, Frozen Assets (1931) Fresco 239 x 188 cm. Collection of Dolores Olmedo Source |
![]() Diego Rivera, from Detroit Industry (1932) Copyright © The Detroit Institute of Arts Source |
![]() William Gropper, The Coffee Pot (1932) Pen and ink, 16"x12" Source |
![]() Edward Hopper, Room in Brooklyn (1932) Museum of Fine Arts, Boston Source |
![]() Hugo Gellert, The Working Day, no. 37 (c. 1933) Source |
![]() Reginald Marsh (1898-1954), The Park Bench (1933) Tempera on masonite mounted on panel 24 by 36 in. Sheldon Memorial Art Gallery and Sculpture Garden, Univ. of Nebraska-Lincoln Nebraska Art Association Collection Source |
![]() Reginald Marsh, Union Square (1933) Lithograph The Univ. of Michigan Museum of Art Source |
![]() Hugo Gellert, Primary Accumlation 19 (1933) Source |
| Arnold Ness Klagstad, Archer Daniels Midland Elevator (1933) Source |
![]() Thomas Hart Benton, Mine StrikeSource |
![]() Alice Neel, Investigation Of Property At The Russell Sage Foundation (1934) Source |
![]() Beh Shahn, Village Speakeasy Closed for Violation, c. 1934 Gouache, Mural Project for Central Park Casino Museum of the City of New York Copyright © 1997 Estate of Ben Shahn/Licensed by VAGA, New York Source |
| Alberta Kinsey, Fish Market (1934) NMAA Source |
| Harry William Scheuch, Finishing the Cathedral of Learning (1934, Pittsburgh) NMAA Source |
| Arthur Durston, Industry (1934) NMAA Source |
![]() Raphael Soyer, Waterfront (1934) Source |
![]() Anton Refregier, San Francisco '34 Waterfront Strike (1940-48) Source |
![]() Jacob Burck, The Lord Provides (1934) Source |
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| John Stewart Curry, Manhunt (1934) Source |
![]() Conrad A. Albrizio, The New Deal (1934) Affresco by Conrad A. Albrizio, dedicated to President Roosevelt, placed in the auditorium of the Leonardo Da Vinci Art School (149 East 34th Street, NYC) Source |
![]() Thomas Hart Benton, Lord, Heal the Child (1934) Source |
![]() Blanche Grambs, No Work (1935) Source |
![]() Diego Rivera, The flower carrier (1935) Oil and tempera on masonite San Francisco Museum of Modern Art Source |
![]() William Gropper, Miners (1935) Watercolor, 11"x11" Source |
![]() Harry Sternberg, Builders (1935-36) Source |
![]() Ben Shahn (American, b. Lithuania, 1898-1969) East Side Soap Box (Roosevelt Mural Study), 1936 Gouache; 18 1/2 x 12 1/4 in.; 47 x 31.1 cm The Jewish Museum, New York. Museum Purchase with funds provided by Deana Bezark in memory of Leslie Bezark, and by Mrs. Jack N. Berkman, Susan and Arthur Fleischer, Dr. Jack Allen and Shirley Kaplan Fund, Hanni and Peter Kaufmann, Hyman L. and Joan C. Sall; and Bequest of Margaret Goldstein, 1995-61 (c) The Jewish Museum, New York. Photo by John Parnell (c) Estate of Ben Shahn Licensed by VAGA, New York, NY Source |
![]() Reginald Marsh, Twenty Cent Movie (1936) Egg tempera on board 30x40in. (76.2x101.6 cm) Whitney Museum of American Art, New York Source |
![]() David Alfaro Siqueiros, Workman lithograph (1936) Source |
![]() Julius Weiss, Group of Men (n.d., linoleum cut) Source |
![]() Eli Jacobi, Bar and Grill (n.d.) Source |
![]() Eli Jacobi, All Night Mission (n.d.) Source |
![]() Hugo Gellert, A Wounded Striker and the Soldier (1936) Source |
![]() Louis Lozowick, Lynching (Lynch Law) (1936) Smithsonian American Art Museum Source |
![]() Prentiss Taylor, Assembly Church (1936) Source |
![]() Thomas Hart Benton, "Kansas City," from Politics, Farming, and the Law, Missouri State Museum (1936) Source |
![]() M. Lois Murphy, Weighing Fish (1936-37) Source |
| William Gropper, Construction of the Dam (1937) NMAA Source |
![]() William Gropper, Youngstown Strike, (c.1937) Oil on canvas, 20x40" (50.8x101.6cm.) Butler Institute of American Art (Ohio) Source |
![]() Joe Jones, Wasteland (1937) Source |
![]() Philip Evergood, Sorrowing Farmers (1938) Source |
![]() Louis Lozowick, Guts of Manhattan (1939) Source |
| Joe Jones, Men and Wheat (Seneca, Kansas, 1939) NMAA Source |
![]() Reginal Marsh, Grand Tier at the Met (1939) Watercolor and goauche. 22 1/8 x 30 3/8 in. (56 x 77 cm) Gift of Sylvia Brody Axelrad and Sidney Axelrad. The Herbert F. Johnson Museum of Art, Cornell University Source |
| Moses Soyer, Artists on W.P.A (1939) NMAA Source |
![]() Thomas Hart Benton, The Sower (1939) Source |
![]() Elizabeth Olds, Miner Joe (1940) Source |
| William Gropper, Automobile Industry (Detroit, 1941) NMAA Source |
| Jerry Bywaters, Lumber Mill Interior (1941-42, Trinity, Texas) Source |
![]() Joseph Hirsch, Lunch Hour (1942) Source |


























































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